Norval Morrisseau exhibit "Miskwaabik Animiiki / Copper Thunderbird"

Accès

À propos

Ayizhiseg apii Sept 11 akoo Oct 31, 2020 akiiwang

Running dates: September 11 to October 31, 2020

Tuesday to Friday 12-5pm

Saturdays 12-4pm

Celebrated Ojibway artist Norval Morrisseau was born in Fort William, Ontario, in 1932. Raised by his grandparents, he learned at an early age the teachings of his heritage from his grandfather Moses (Potan) Nanakonagos, a Midé shaman. The most widely recognized themes in Morrisseau’s artworks address the oral traditions and teachings of the Midewiwin as seen in petroglyph rock paintings of Northern Ontario. A common theme throughout his entire body of work is the exploration of spirituality, allegory, and representation. Using the narratives of the Ojibwa oral traditions, Morrisseau created a new visual vocabulary that gave many of the teachings of his people an image for the first time. However, traditionally in his culture only the shaman had the right to paint the sacred teachings, and thus his work invited criticism from the elders in his community. Morrisseau maintained that he was a true shaman, because it was the shamans who were the artists of his people:

“I am a shaman-artist... My art speaks and will continue to speak, transcending barriers of nationality, of language and of other forces that may be divisive, fortifying the greatness of spirit that has always been the foundation of the Great Ojibway.”

Morrisseau also explored other themes in his artwork, always dealing with some aspect of his own spirituality. The Christian religious iconography that he became familiar with during his childhood years at St. Joseph Catholic School in Thunder Bay, and his interest in mysticism after his conversion to the Eckankar religion in 1976, are both subjects of his art. After 1957, Morrisseau signed all of his artworks in Cree syllabics using his Ojibway name: Miskwaabik Animiiki, Copper Thunderbird. The Thunderbird and other totemic figures such as the bear, the turtle, and the snake are subjects frequently found in his work. Other common motifs include shamans, plants, animals, ceremonial processes, and spiritual creatures. By using the X-ray style that he is now recognized for, Morrisseau was able to reveal the inner soul of the figures within his paintings.

Liens

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Organisateur

Urban Shaman Contemporary Aboriginal Art Gallery

MISSION STATEMENT

Urban Shaman is an Aboriginal artist-run centre dedicated to meeting the needs of artists by providing a vehicle for artistic expression in all disciplines and at all levels by taking a leadership role in the cultivation of Indigenous art.

VISION

Urban Shaman presents contemporary Indigenous Aboriginal art with integrity while remaining rooted in our diverse Aboriginal cultures.

MANDATE

Urban Shaman Contemporary Aboriginal Art is a nationally recognized leader in Aboriginal arts programming and one of the foremost venues and voices for Aboriginal art in Canada. Our focus on developing new programming and new ways of presenting it have resulted in increased exposure and the expansion of our activities. Urban Shaman is dedicated to the Aboriginal arts community and arts community at large.

• Committed to serving the needs of emerging, mid-career, and established Aboriginal artists through exhibitions and associated programming, workshops, residencies and curatorial initiatives.

• Dedicated to contributing to art historical and cultural critical discourses on a local, national, and international level.

• Committed to facilitating artistic production, education, and appreciation of contemporary art as an important and empowering tool for Aboriginal peoples.