Posts Tagged ‘benefits of cultural participation’

Tips For Writing A Culture Days Story

November 7th, 2011 by Culture Days

Storytelling is a great way to share your Culture Days experience! But sometimes it’s easier said than done, so Culture Days has compiled a few handy tips to get the creative ball rolling.

Sharing your story will undoubtedly inspire others to take action in their communities and support the arts and culture! Whether you were an activity organizer or member of the public who participated in the over 5,500 activities that took place throughout the country over the Culture Days 2011 weekend, your first-hand experience is distinct and insightful – so don’t be shy!

Because your story is uniquely yours, feel free to use the format in which you feel most comfortable (ie. short story, essay, question and answer, etc.) with a maximum length of 500 words.

Here are some questions to get the ball rolling and to help ward off that pesky writer’s block! Feel free to use them as a guide to help you document your experience.

For Activity Organizers
Who are you and what do you do?
Why did you want to get involved in Culture Days?
What opportunities did you identify for you/your organization/community’s participation?
What did you organize for the Culture Days weekend? Describe your activity and the goals you set out for your activity.
What made your Culture Days 2011 activity unique?
What kind of feedback did you get from those who attended your activity?
Are there any moments from the lead up to and during the weekend that stand out?
Any moments during the weekend that made an impression on you?
What were the keys to your success?
What did you learn from your experience of Culture Days overall?
Do you foresee any long-term benefits for you/your organization and/or cultural community?
Is there anything else about your Culture Days experience that you’d like to share?

For Public Participants
Who are you and where are you from?
How did you discover Culture Days?
Why did you want to participate in Culture Days 2011 activities in your community?
What activities did you participate in and what attracted you to them?
Did you participate alone, with your family or friends?
Are there any moments during the weekend that stand out in your mind?
What did you learn/take away from your experience of Culture Days?
Are you planning on participating in Culture Days again next year?
Is there anything else about your Culture Days experience that you’d like to share?

Please submit your story to Culture Days via email at stories@culturedays.ca and it may be included in an upcoming blog post or newsletter.

Passport to Culture – An Interview with Marlee Robinson

September 19th, 2011 by Culture Days

Culture Days – Who are you and what do you do?
Marlee Robison – I am a retired art historian and event planner. One of the organisations I am involved with is the Erie Ridge Cultural Action Team (CAT) of which I am Chair. Our focal point is the development of cultural activities in our area. Chatham-Kent is an amalgamated community of 22 scattered towns with a total population of approximately 107,000. The Erie Ridge CAT runs along Lake Erie at the eastern end of the municipality.

CD – What made your 2010 Culture Days activities unique?
MR – We created the “Passport to Culture” – a sort of cultural Doors Open. The Passport featured 8 stops covering a wide range of cultural assets in this area of Chatham-Kent in our predominantly rural area.  With funding from the Community Futures Development Corporation, we designed and printed maps and posters, as well as supplied ballot boxes for draw prizes. We tried designing maps that people would want to keep, highlighting local cultural centres.

Chatham-Kent’s diverse history includes early Black settlements. The Buxton National Historic Site and Museum on the original site of the Elgin Settlement, one of the last stops on the Underground Railway for hundreds of fugitive slaves, offered free admission for the day and organised guest artists with deep roots in the Buxton community. Three bead makers from the New Hope Beaders took part using handmade beads from Uganda to make jewellery. Profits from the sale of the jewellery funds schools in the Rift Valley in Tanzania.

We included Ridgetown weekly Farmers’ Market, which features locally grown produce and handmade craft items. A number of crafters did demonstrations on the day.

Two specialty gift shops participated. Mitton’s Jewellery Ltd. (established in 1897 and still run by the Mitton family) arranged the first solo exhibition of local jeweller, Brenda Braun. Mittons, which has received a Mayor’s Heritage Award, now stocks Brenda Braun’s jewellery on a regular basis as result of the Culture Days event. The second store, Antiquated Joys, exhibited painted pottery, glassware, and furniture by Lynda Goldhawk.

Another stop on the Passport trail was the Blenheim Freedom Library and Museum which celebrates the history of veterans in the area. The museum, housed in a former church, contains uniforms, medals, and biographies of veterans who served in the first and second world wars. The library houses 1,500 reference books and videotapes. During the Culture Days event, Veterans talked to people about their experiences and interacted with visitors.

The Blenheim Historical Society is housed in Heritage House of Blenheim & District, a family home dating back to the 1870s. The home was restored and furnished and is now used for the community archives and collections.

The Mary Webb Cultural and Community Centre is housed in the former Highgate United Church. This successful adaptive re-use is in the early stages of transformation into a venue for entertainment, presentations, education, cultural and community activities. For Culture Days, volunteers gave guided tours of the centre and the CK Etsy artisan group demonstrated and sold home crafts.

Finally, we were really excited when the local library asked to participate. The library put up a display of European centres: travel books about Europe, fiction books with stories taking place in European location, and videos of European countries. People from different communities were invited to speak about their culture.

CD – What inspired or surprised you about Culture Days?
MR – Rural communities can be seen as isolated, so by taking part in something that was across Canada, we were given a chance to confirm that we were a part of the national community.  We were pleased that our efforts were acknowledged in our community and that we were one on a list of 26 participants to be highlighted across the country in the Globe and Mail.

CD - What did you learn from your experience of Culture Days that would be useful for other activity organizers to know?
MR - Arts and culture is everywhere. People enjoy learning about different things. Stores and libraries are cultural centres. People need to be open to what is around them. Passport to Culture was a good name, because it was seen as an awakening journey. We would like to do more music and literary arts in the future.

The Mary Webb Centre has already had concerts by a number of Juno winners and now has a poetry reading evening coming up featuring award-winning poets.

CD - What do you feel is the impact of culture in your community?
MR - We are mainly an agricultural community. We are also a manufacturing community, but this industry has had a decline. Municipalities are starting to understand that culture and heritage create jobs - not just for artists, but also for the people who work around culture, bringing new money into the economy. Visible culture brings a higher quality of life attracting entrepreneurs and businesses.

Waabi-ma’iingan (Grey Wolf) Traditional Teaching Lodge – Thunder Bay, ON

August 12th, 2011 by Culture Days

Nazanin Shoja, the OAC Culture Days Ontario Animator/Coordinator spoke with Cynthia Coons, Assistant Coordinator of the Waabi-ma’iingan (Grey Wolf) Traditional Teaching Lodge about what they offered the residents of Thunder Bay, ON during Culture Days 2010.

Culture Days – Who are you and what do you do?

Cynthia Coons – Waabi-ma’iingan is a teaching lodge which reconnects people with their spiritual side. We have ceremonies 4 times a year, Elders and Youth Gatherings once a year and a sharing circle every two weeks. At Waabi-ma’iingan, we encourage tolerance and offer a comfortable environment where non-aboriginals can learn about Aboriginal culture as well.

CD – What made your 2010 Culture Days activity unique?

CC – We held an Elders and Youth Gathering entitled “Voices from the Past, For Tomorrow.” We had Elders come from 50 different communities, from all over Ontario. Many people were invited to come to the lodge to listen to the Elders speak.

CD – What inspired or surprised you about Culture Days?

CC – The event was very successful. People kept asking when the next one would be happening.

CD – What do you feel is the impact of culture in your community?

CC – There has been a very positive impact. On the last day of the event, the youth were invited to speak. They discussed issues such as racism and expressed their desire to learn more about their culture and reconnect with their native language and heritage. As a result of these discussions, the lodge has been going to St. Pat’s high school, where an Aboriginal counselor visits with the students and teaches them about Aboriginal culture and traditions. They are also in the process of arranging a sweat lodge for them, since they had no access to that before.

Share YOUR Vision

July 20th, 2011 by Culture Days

Here’s a great personal vision as to what Culture Days is about from Amir Ali Alibhai, executive director of the Alliance for Arts & Culture and active member of the Culture Days British Columbia Task Force.

Click here
to read Amir’s blog post.

If you have something to say about public participation and engagement in arts and culture, post it on the Culture Days blog! Submit your vision or post from your own blog via email at stories@culturedays.ca and we’ll share your story with the growing Culture Days network.

Facts & Figures

March 24th, 2010 by Culture Days

A dynamic culture sector is a magnet for talent and a catalyst for economic prosperity, attracting people and spurring creativity across all sectors of the economy

  • The Conference Board of Canada estimates that the total direct, indirect and induced contributions of the arts and culture industries in 2007 was $84.6 billion, representing 7.4% of Canada’s gross domestic product (GDP). For comparison, the value-added contribution of Canada’s entire retail industry was just under 6 per cent in 2007.
  • The culture sector created and induced 1.1 million jobs in the Canadian economy in 2007, representing 7.1% of Canada’s total employment.*
  • Culture is a growth market: Consumer spending on cultural goods and services grew by 36% between 1997 and 2003, much higher than inflation (14%) and population growth (6%).**
  • Two-thirds of all international tourists participate in a cultural activity†. These arts and cultural tourists spend more and stay longer.
  • In terms of international trade, the value of original visual art exported from Canada grew from $45 million in 1996 to $70 million to 1998 to $145 million in 2000.***

Cultural participation enhances Canadian society

  • Cultural participation has been shown to reduce social isolation and increase the likelihood that a citizen will empathize with and assist a neighbour. In a 2005 study by Hill Strategies, cultural participants were found to be up to 41% more likely to do a favour for a neighbour than non-participants.
  • Citizens who read books, attend theatre and classical music events and visit art galleries, historic sites, conservation areas or parks show are more likely to feel a significantly greater sense of belonging to their province and to Canada than citizens who do not participate in such cultural activities.

Studies show consistently that Canadians view arts and culture very positively

  • In a 2005 Ipsos-Reid study, 94% of respondents said that having a wide variety of cultural activities and events makes for a better place to live.
  • In a 2003 study by T.J. Cheney Research, 90% of respondents indicated that they think school children should be taken to visit public art galleries annually, with 3 out of 4 agreeing it is important to have an art gallery in their community.

Canadian’s appetite for arts and culture continues to grow. In 2003, Canadians spent:

  • $980 million on live performing arts, a 31% increase from 1997;
  • $530 million on works of visual art in 2003, 48% more than in 1997;
  • $410 million on admissions to museums and heritage sites in 2003, 23% more than in 1997;
  • $1.2 billion on books, 34% more than in 1997. For comparison, consumer spending on live sporting events was $530 million in 2003.
* Source: Conference Board of Canada
** Source: Hill Strategies
*** Source: T.J. Cheney Research
† Source: Americans for the Arts