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Tips For Writing A Culture Days Story

November 7th, 2011 by Culture Days

Storytelling is a great way to share your Culture Days experience! But sometimes it’s easier said than done, so Culture Days has compiled a few handy tips to get the creative ball rolling.

Sharing your story will undoubtedly inspire others to take action in their communities and support the arts and culture! Whether you were an activity organizer or member of the public who participated in the over 5,500 activities that took place throughout the country over the Culture Days 2011 weekend, your first-hand experience is distinct and insightful – so don’t be shy!

Because your story is uniquely yours, feel free to use the format in which you feel most comfortable (ie. short story, essay, question and answer, etc.) with a maximum length of 500 words.

Here are some questions to get the ball rolling and to help ward off that pesky writer’s block! Feel free to use them as a guide to help you document your experience.

For Activity Organizers
Who are you and what do you do?
Why did you want to get involved in Culture Days?
What opportunities did you identify for you/your organization/community’s participation?
What did you organize for the Culture Days weekend? Describe your activity and the goals you set out for your activity.
What made your Culture Days 2011 activity unique?
What kind of feedback did you get from those who attended your activity?
Are there any moments from the lead up to and during the weekend that stand out?
Any moments during the weekend that made an impression on you?
What were the keys to your success?
What did you learn from your experience of Culture Days overall?
Do you foresee any long-term benefits for you/your organization and/or cultural community?
Is there anything else about your Culture Days experience that you’d like to share?

For Public Participants
Who are you and where are you from?
How did you discover Culture Days?
Why did you want to participate in Culture Days 2011 activities in your community?
What activities did you participate in and what attracted you to them?
Did you participate alone, with your family or friends?
Are there any moments during the weekend that stand out in your mind?
What did you learn/take away from your experience of Culture Days?
Are you planning on participating in Culture Days again next year?
Is there anything else about your Culture Days experience that you’d like to share?

Please submit your story to Culture Days via email at stories@culturedays.ca and it may be included in an upcoming blog post or newsletter.

Tips on How to Maximize Your Culture Days 2011 Experience

October 11th, 2011 by Culture Days

Thanks to everyone who participated in and helped make Culture Days 2011 a weekend to remember! Your participation transformed September 30, October 1 & 2 into a wonderful celebration of arts and culture from coast to coast to coast.

Though Culture Days is an annual 3-day event, the movement continues to grow year-round! Here are some tips to help maximize your Culture Days experience:

Thank yous! If you had volunteers, friends and/or trusty aids help out, remember to thank them for all the hard work they poured into your activity. Simply acknowledging the important role they played in helping to make your activity a success is a great way to strengthen your bond and make planning your Culture Days 2012 activity(ies) a whole lot easier!

Stay connected! As suggested in the Checklist for Hosting an Activity, if you collected email addresses, business cards or even Twitter handles to form or grow a mailing list, now is the time to get in touch with participants you met during Culture Days weekend. Reach out and thank them for participating in your activity and take the opportunity to promote your upcoming and ongoing artistic and cultural endeavors!

Social Media! If you are active on social media channels, like Facebook or Twitter, continue your Culture Days conversation online and maintain interest in your activities! Speak to the masses with a simple click and build a network with the growing Canadian arts and culture community.

Share pictures and videos! Did you capture your Culture Days experience? Upload and share your photos and videos via the Culture Days Flickr pool and YouTube channel. Be sure to submit high-quality photos to Flickr and allow for downloads and re-distribution on YouTube as they could be featured in the 2011 Culture Days Highlight Reel!

If you made a video of your activity or weekend celebrations, upload it to YouTube and share the video URL with Culture Days (via email, Twitter or Facebook), so it can be featured on the Culture Days YouTube channel! Check out the free, downloadable video bumpers available for use in your videos here.

Share your anecdotes! Send in your Culture Days anecdotes or stories to stories[at]culturedays[dot]ca and your Culture Days 2011 experience could end up featured in an upcoming newsletter or blog post!

Checklist for Hosting an Activity

September 27th, 2011 by Culture Days

Whether you are a first time activity organizer or you’re participating for the second year, Culture Days has created a checklist with suggestions to help you host your activity and maximize both your and your participants’ Culture Days experience!

Here are some things to keep in mind as you finalize preparations for your activity:

  • Everyone loves a friendly face! Your connection to participants begins by simply welcoming them to your activity, so don’t be shy! Introduce yourself and be sure to thank them for participating in your Culture Days activity. Who knows, this may be the beginning of a lovely friendship and/or collaboration!
  • Is the environment comfortable? If applicable, provide seating, ensure there is proper lighting in your space, accessible washroom facilities and, if you wish, refreshments!
  • The Culture Days weekend is a great opportunity to promote your artistic and cultural endeavors, so if you have promotional materials (i.e. business cards, flyers, signage…etc.) be sure to have some on hand.
  • Your activity is also a wonderful way to introduce your work to a new audience, so keep in touch! Have a notebook and pens on hand so people can sign up to receive more information from you via email about upcoming activities or events you may have lined up after the Culture Days weekend. Building a mailing list is a good way to stay connected with those interested in you and your practice or organization.
  • Is your activity location identifiable as a “Culture Days activity” ? Culture Days Bright Spots Venue Identifiers help ensure that the public will be able to find you! These FREE vinyl clings can be picked up at your local Sun Life Financial Center and are available everyday until September 29th, from 8:30am to 4:30pm, local time. Please consult the Culture Days blog to find the one closest to you!
  • Do you have volunteers or a team helping you host your activity? Be sure they are aware of the key messages you want to communicate. Messages such as: instructions on how to participate, your wish to connect with them after the Culture Days weekend or the promotion of an upcoming activity or event – or anything else you want to communicate.
  • Are you active on social media channels, like Facebook or Twitter? Social media is a great platform to build and maintain an interactive dialogue with the public. Tell participants that you’re on Twitter or Facebook and encourage them to follow or “like” you and don’t forget to connect with @CultureDays on Twitter and Facebook too!
  • Document or ask a friend to help capture your Culture Days experience by taking photos or shooting video of your activity. Don’t forget to upload and share your photos and videos via the Culture Days Flickr pool and YouTube channel! Be sure to submit high-quality photos to Flickr and allow for downloads and re-distribution on YouTube as your photos could be featured in a Culture Days ad in the Globe and Mail and your videos used in a 2011 video highlight reel! Be sure to include important information with your photo/video submissions such as the activity name, location, names of those captured in the images and photo credits. All this information can be included in the file name of your photo or with your video upload. Please contact Culture Days for more information if you are capturing photographs of minors.
  • Videos are a fun and innovative way to capture your Culture Days weekend! Check out the free, downloadable video bumpers available for all to use HERE. Once uploaded on YouTube, share the video URL with Culture Days via email, Twitter or Facebook, so it can be featured on the Culture Days YouTube channel!
  • Last, but not least; have FUN!

Join CBC LIVE A Kick Off to Culture Days on September 30th, 2011!

September 26th, 2011 by Culture Days

Whether you’re live in person outside the CBC Vancouver Broadcast Center or in the comfort of your home, join CBC for the kick-off to the 2nd annual Culture Days weekend! CBC LIVE will be connecting audiences coast to coast to coast to a star-studded lineup of CBC personalities and arts and culture events in a festival setting outside the CBC Vancouver Broadcast Centre on Hamilton, between Robson and Georgia. On Friday, September 30th, from 10am to 10pm, celebrate the art of broadcasting in all forms with an entire day of live events and broadcasts hosted by Jian Ghomeshi and a lineup of CBC personalities. This jam-packed Culture Days-themed day culminates in a live network TV music special. Midnight Music: A Concert For Culture Days will feature Stars, The New Pornographers, The Midway State and many surprise celebrity appearances, and will be broadcast live across the country at midnight and re-broadcasted on Saturday, October 1 at 12 noon.

Like the much-adored Hockey Day in Canada, CBC’s participation in Culture Days will provide Canadians with an opportunity to unite and celebrate their love of arts and culture. Culture Days is the largest-ever collective public participation campaign undertaken by the arts and cultural community in this country and CBC’s commitment not only includes the nationally broadcast CBC LIVE event, but the opportunity for Canadians to celebrate the art of broadcasting, in its many forms and in a variety of ways, at CBC Broadcast Centres across the country, with 75th Anniversary open houses taking place on Oct 1.

For more information about CBC LIVE – A Kick Off to Culture Days, please visit www.cbc.ca/live

“Culture Days Week” on CBC

September 26th, 2011 by Culture Days

Culture Days’ National Broadcast Partner, CBC, kicks off a week of special culture themed, multi-platform programming today, as a lead up to the upcoming Culture Days weekend (September 30, October 1 & 2).

Celebrating its 75th anniversary this year, CBC demonstrates how it has been a driving force in Canadian culture over the years and its commitment to supporting the Culture Days movement. Throughout the week, on-air hosts and personalities will explore the vibrant arts and culture scenes in communities throughout the country and reveal the cultural secrets of a city/region as explored and unveiled by prominent local residents.

In celebration of CBC’s 75th anniversary and as part of the Culture Days weekend, CBC Broadcast Centers across the country will also be opening their doors to the public on Saturday, October 1st. Visitors will have a chance to explore all areas of the “art of broadcasting” on all platforms: from studio tours to operating equipment, the public will experience the CBC as an integral part of arts and culture within their communities and country!

“Culture Days Week” on CBC will culminate with CBC LIVE A Kick-Off to Culture Days, broadcast from Vancouver on September 30. Consisting of a star-studded day of live events and broadcasts, the event will conclude with Midnight Music: A Concert for Culture Days, hosted by Jian Ghomeshi and featuring some of Canada’s top musical talent. The concert will be broadcast live at midnight across Canada on CBC Television. Tune in this Friday, September 30 for this exiting kick off event!

For more information, please visit www.cbc.ca/live

Bright Spots Venue Identifiers Now Available for All Activity Organizers!

September 20th, 2011 by Culture Days

Thanks to the generous support of national Lead Founding Visionary Partner, Sun Life Financial, Bright Spots Venue Identifiers are now available to all Culture Days activity organizers!

These free, 1’ diameter round vinyl clings will serve as vital tools for organizers in helping to identify activities as “Culture Days activities,” and ensuring that the public will be able to find them. These clings can be affixed to windows, walls and almost any other surface to help identify the location of your activity. Be sure to place them in a highly visible location outside your venue!


Not only do these identifiers tell the public that they’ve found the right place but there’s also a “call to action” on them to encourage people to use social media platforms via their smart phones to publicize that they’re at your activity; helping to further promote you, your practice or organization.

The free Culture Days Bright Spots Venue Identifiers are now available and can be picked up at your local Sun Life Financial Center.

To find the Financial Centre closest to you, please click the link below that corresponds to your province and use the geo-location map on the Sun Life Financial Canada web site to locate the center nearest you:

British Columbia
Saskatchewan
Manitoba
Ontario
New Brunswick
Nova Scotia
Prince Edward Island
Newfoundland and Labrador

For those in the territories, please email Reuben Finley (reubenfinley[at]culturedays[dot]ca) for more information on how to obtain your free Culture Days Bright Spots Venue Identifier.

Bright Spots Venue Identifiers will be available at these centres from September 21st to September 29th, Monday to Friday, from 8:30am to 4:30pm, local time. Should you not be able to pick up your identifier at your local Sun Life Financial Centre, please contact your Provincial Representative for information about how you can obtain one.

A printable version of the Bright Spots Venue Identifier is also available for download via the Culture Days web site as part of the many free tools in the Culture Days Marketing Kit. You can download and print a colour version of the Bright Spots Identifier on an 8.5” x 11” or 11” x 17” sheet of paper.

NRTEA Challenges Participants to Take Part in Culture Days

September 17th, 2011 by Culture Days

During the National Roundtable for Teacher Education in the Arts conference held in Spring 2011 at the National Arts Centre in Ottawa, some 50 education professors, artists, arts administrators, teacher candidates, teachers and government officials from across Canada met to consider the best ways to provide effective instruction to teachers in the fine and performing arts.  A unique feature of the event was that many participants insisted that ideas be expressed through artistic creation.  Some did art-making, others created dance and music pieces and many performed improvised dramatic sketches. Interwoven into the dialogue, a hula hoop practice led by a PHd specialist in hula hoops and mixed with tap dancing lessons was also part of the overall experience.

An added challenge to all the participants at the conclusion of the discussion was for them to contribute something to the Culture Days weekend in their part of the country relating to some discovery or idea they leaned at the Roundtable. The Let’s Make Music Conference in Brantford ON, organized by NRTEA participant and Assistant Professor at Nipissing University Christina Grant, is one of these responses. During this Culture Days activity, a variety of free practical music education workshops will be offered to anyone with a love of music. Another response to the NRTEA’s challenge comes from the Ottawa-Carleton District School Board (OCDSB), which will showcase arts performances by elementary and secondary students with filmed highlights of various schools’ musical, dance and drama shows.

The following text is an excerpt from the NRTEA’s summary report. For the full report, click here.

For more information or to share your thoughts on the NRTEA’s initiatives, visit www.nrtea.ca or contact Michael Wilson: mpwilson@uottawa.ca.

Jumping through hoops for culture

NATIONAL ROUNDTABLE FOR TEACHER EDUCATION IN THE ARTS
MAY 25, 26, 2011
SUMMARY OF PARTICIPANT COMMENTS IN SMALL GROUP DISCUSSIONS

The National Roundtable on Teacher Education in the Arts, held on May 25 and 26 ,2011, at the National Arts Centre, in Ottawa,  heralded the first time that an invited group of 53 experts consisting of education professors, teachers, artists, education students (both pre-service and graduate), arts administrators, government officials, and school board consultants and superintendents, met to discuss critical issues in the process of teacher education.  The connecting question to arts advocacy in general was: – In order to have better quality arts programs in our schools, we need better educated teachers.

A unique feature of this event was the element of preparation by all participants that included the offering of a creatively decorated piece of material that might symbolize prior to the event, attitudes on teacher education in the arts.  Each submitted piece at the beginning and during the progress of the Roundtable, was added to a kind of garden of ideas that stimulated metaphoric images throughout the experience. The interweaving of vocal dialogue, mixed with arts experiences continued throughout. In the 2 day dialogue, small group discussions of 8 participants each, met to consider 4 major themes of teacher education: a) pre-service or initial teacher education  b) models of in-service education  c) the role of partnerships  d) the relationship of instructor and candidate. At each opportunity for reporting findings to the whole, narrative summary, dance response, improvisational sketch creation, soundscape atmospheres and visual renderings, were all employed by the reporting groups.  The resulting findings and crystallization of ideas for all participants, included both logical idea suggestions and metaphoric images that continue to resonate in a kind of dynamic symmetry that has promoted alternative meanings for everyone.

As a concluding challenge for each participant, we asked all to conceive of an innovative theory, practice or event that resulted in some way from the experiences of this Roundtable, that could be offered to a public forum as part of the national Culture Days celebrations, scheduled for September 30 – Oct. 2, 2011.

Topics covered during the Roundtable include:

1.THE PLACE OF THE ARTS IN AN OVERALL PROGRAM OF PRE-SERVICE TEACHER EDUCATION

Participants in this discussion group were asked to comment on delivery models,overall programs, the relative time for the arts in relation to the total program, the relationship to practica, degrees of integration, training for generalist candidates and pre-requisite issues for specialized candidates.

2. MODELS OF IN-SERVICE ARTS EDUCATION

Participants were asked to make observations about the situation of in-service training from their perspective, comment on insights that might have been sparked by their observations and recommend solutions or avenues for exploration on possible policies, procedures or models that could better in-service training in the arts.

3. THE ROLES AND CONTRIBUTIONS OF COMMUNITY, REGIONAL AND NATIONAL ARTS PARTNERS

Given the complexity and challenges of providing pre-service and in-service training in the arts for teachers and educators, it is important to explore and understand the diverse communities of partners and their possible contributions to the betterment, development and delivery of a variety of training programs. Many models exist and many more are being explored.

4. THE RELATIONSHIP BETWEEN INSTRUCTOR AND CANDIDATE

This question was not related to any particular sector of teacher education in the arts but pertained to all. Issues examined included instructor modeling; information vs experience; differences between excellence in teaching teachers compared to teaching in schools; unique characteristics of excellent teaching in arts teacher education; relationship of artistic excellence and pedagogical competence.

Full report here.

An Inspiration Tune-up

September 15th, 2011 by SaskCulture

Below is a blog entry by Paul Wilson, an active Culture Days Animateur in Saskatchewan. Paul is a writer and publisher, and has been engaging the public through an exercise of creating an “Invisible Library”.


Some writers will tell you that inspiration is for wimps, or that it doesn’t really exist and the only way to produce as a writer is to put your butt in a chair until the ideas come. I take a different approach with inspiration, I want to be inspiration’s friend and I want to know all I can about our on-again, off-again relationship.

When I feel inspired to write a poem, I’m usually so pleased to have creativity on my side again I rarely stop to notice where and when I was given the impetus to write. However when I’ve hit a dry spot in my creativity and nothing seems to inspire me I spend a good deal of time pondering this mysterious process.

I would like to suggest that there are two distinct kinds of inspiration. The first is Primary Inspiration; of course each of us has our own distinct sources of this form of inspiration. For me these sources  include  solitary sojourns into nature, walks in the city which involve people watching, relationships with people I love and people I barely know,  also collect small snippets of conversation I hear in cafes and other public places. Then of course I have to mention my senses which are arbiters of primary inspiration.

Often a phrase or poetic line has arisen from a particular fragrance or an unexpected sound. Suddenly I’m transported to a heightened sense of awareness or become aware of a potent memory which in turn leads to a poem.  Touch and taste play less of a role with my creative process yet I am aware that images involving touch reoccur regularly in my writing. Visual artists, dancers, actors, musicians would likely share some of the same sources of inspiration but may also contrast sharply in other areas.

Secondary Inspiration arises when we are moved by the creative intent within a work of art, not our own. We may be in an art gallery or a library and the instant we see a painting or read a particular story or poem we feel we have been given something that we must in turn share with the world. Writers read, painters look at paintings, dancers study choreography and so on. While artists are compelled to learn more about their art form, it is also natural to be inspired by other artists. As a writer I am inspired by writers in all genres and  I am equally inspired by the works of painters, musicians, dancers, in fact most art forms. If we want to understand the the transformative nature inspiration plays in our lives we must live by the declaration: I will take inspiration from where I find it.

What is an inspiration tune-up?

Does inspiration just happen, do we have any control at all over how, when and where it arrives? Perhaps not but we can become more sensitive to what specific conditions bring our inspired impulses to the forefront.

Try this: for one week keep a small notepad with you at all times. Make a running list of inspired ideas as they arise as well as the time, location and experience that triggered the ideas. Were you in the shower, on a walk, waking up or falling to sleep, waiting in line a Tim Horton’s? At the end of each day review the list looking for connections between the experience and the ideas themselves. Do you always get an idea for a painting or a poem when you get up early and eat breakfast alone? Maybe this is because as a child this alone-time allowed you to write and illustrate your own stories. Over the course of your tune up week you will find that certain experiences fall into the category of “primary inspiration”. As you become more attuned to these experiences take time each day to cherish these moments. Don’t be discouraged when ideas don’t come, just relax in the knowledge that inspiration is on the way and you will be ready to act when the time comes.


Follow Paul on Twitter! @InvisiblePoet11

My Invisible Library

September 15th, 2011 by SaskCulture

Below is a blog entry by Paul Wilson, an active Culture Days Animateur in Saskatchewan. Paul is a writer and publisher, and has been engaging the public through an exercise of creating an “Invisible Library”.


I’ve been writing poetry since I was a baffled teen, about forty years. I have published four books of poetry and have just completed my fifth collection, “The Invisible Library”. I am also a culture worker, editor, and publisher (Hagios Press). Currently I have the best summer job ever as an Artist Animateur for SaskCulture promoting Culture Days, September 30, October 1 and 2, 2011. Culture Days is a celebration of arts and cultural involvement from coast to coast to coast in Canada. I’m proud to be one of its champions this year. for the last three years as I have worked on a poetry manuscript titled “The Invisible Library”. Invisible books have no substance beyond the context given in the books where they are mentioned. They are fragments of the imagination of the author, but yet somehow they light a flame in the imagination of the reader. What would that book be like?

Once aware of the invisible library I began to notice entries in books I was reading. It seemed a short leap from these discoveries to wanting to create entries in the invisible library myself. In this writing process I have been inspired by the invisible library but all the titles used in my poems are original and not borrowed from other sources. Soon the poems I was writing took on more imagistic and metaphoric weight. I found that the concept was leading me into fascinating thematic and psychological territory.

In June I began a term position as an Artist Animateur for SaskCulture in aid of supporting and promoting Culture Days, Canada’s celebration of arts and culture from coast to coast to coast. This summer I have acted as Poet in Residence (at the Invisible Library) at several events in southern Saskatchewan, where I have read poems from my book and engaged people in the creative act of writing their own “invisible” titles into a book I’ve carried with me. The response when I ask someone to participate is usually a smile or even a chuckle at the thought of them becoming an instant author. While the writer may want to pause and think it over, I encourage them to use the first good thought they have. Many of the participants use their own name but they are also allowed to sign a pseudonym that plays off the title.

Here are a few samples of the anonymous entries I’ve collected:

The creation of a book title, imaginary or or real requires a creative leap and writing the title of an invisible book one that resonates, requires employing one’s intuition. It’s fascinating to watch participants as they contemplate and then write their invisible book title. While many have not written a book, they all have read books and have perhaps entertained thoughts of writing one day. They may tap into a humorous idea or one that speaks to them personally and as they do they are also thinking about the the importance of books in their lives.

So far I have collected over seventy book titles in my Invisible Library, and welcome more via e-mail: wilsonhpaul@gmail.com. At the end of my term I will post the complete list of titles here on my blog and the “library” will be archived with SaskCulture. I look forward to seeing your entry into the world of invisible books.


Follow Paul on Twitter! @InvisiblePoet11

Culture Days Launches the “In Conversation” Video Series, Presented by Culture Days’ National Broadcast Partner CBC

September 7th, 2011 by Culture Days

Today marks the release of the “In Conversation” video series, presented by Culture Days’ National Broadcast Partner, CBC. The series showcases key leaders in the Canadian arts and culture sector and the organizations they represent. Highlighting the important role these organizations play in further galvanizing the relationship between arts and culture and the Canadian public, the series reveals the many and diverse ways in which Culture Days is helping to foster and grow this connection.

These short clips will be rolling out over the next weeks in the lead up to the Culture Days event weekend, starting with insights from:

Kirstine Stewart, Executive Vice-President of CBC English Television and member of the Culture Days Steering Committee
Kirstine, expresses how Culture Days is an opportunity for the CBC, celebrating its 75th anniversary this year, to connect and engage with communities whose families have welcomed the CBC into their homes since its inception, and envisions a time when Canadians will celebrate “Culture Day in Canada” along side Hockey Day in Canada.

Antoni Cimolino, General Director of the Stratford Shakespeare Festival and Chair of the Culture Days Steering Committee
Antoni recounts his experience of the “real magic of Culture Days” when artists in Stratford came together to plan an activity for the inaugural Culture Days event weekend in 2010 and how the culmination of their planning was expressed in a large street fair where over 3500 people came together to celebrate the arts, artists and the Stratford community itself.

Marc Mayer, Director and CEO of the National Gallery of Canada
Marc describes how the National Gallery of Canada has built programs that serve the entire country and how its participation in Culture Days enables the formation of a deeper relationship between the public and the arts. This ultimately, Marc explains, helps the museum to further its goal of providing the public with access to the museum’s national collection and places Canadians’ visual culture within the greater context of art history.

Piers Handling, Director and CEO of the Toronto International Film Festival
Piers speaks of the impact Culture Days will create within communities and expresses how TIFF’s participation in Culture Days allows that organization to play a leadership role for other festivals and organizations by opening its doors and offering its resources to the public over the Culture Days event weekend.

Forthcoming “In Conversation” clips will feature interviews with:

Bruce Kuwabara, Founding Partner KPMB Architects
Zaib Shaikh Actor, Director & Producer
Martha Henry, CC, Leading Actor
Jeff Melanson, Executive Director & Co-CEO Canada’s National Ballet School
Louise Sicuro, CEO Culture pour tous
Andy Kenins, Chair Elect Tafelmusik Baroque Orchestra and Chamber Choir
Luce Moreau, CEO Orchestre Métropolitain du Grand Montréal
James (Jim) Fleck, OC, Chairman, Business for the Arts
Janice Price, CEO Luminato Festival
Stuart Reid, Executive Director MacKenzie Art Gallery
Marie Lavigne, CEO La Société de la Place des Arts de Montréal
Sarah Iley, VP Programming The Banff Centre
Sal Ferreras, Academic Vice-President Vancouver Community College
Tom McCabe, President & CEO Theatre Calgary

The first videos in this series are now LIVE and available on the Culture Days YouTube channel! Be sure to check back as more videos will be added in the lead up to the Culture Days event weekend.